Snippets, No. 1: Phrasing and Lyricism

Some notes on phrasing and lyricism

Phrasing:

Big sense of lyricism

Big line, big mountain

What does it sound like?

It sounds connected. It sounds like one line. It has flow to it. It sounds like the most beautiful thing soaring in the clouds. 

One thing I like to think of for lyricism and phrasing for both brass playing and singing is, I think of a soaring line, or like a big mountain, like the hills of the countryside.

The notes are strung together by your sense of lyricism. In that way, your sense of lyricism is unifying. It transforms the individual notes into one unified idea, one beautiful phrase, that can move audiences.

It’s like a curve

It’s kind of like you’re sending a ball on a trajectory

Base your playing and your legato exercises on that big sense of lyricism

One technical element that helps with phrasing is to think:

In the manner in which you are exhaling, you are letting out a constant river of air, which lightly has the tongue skipping on it, like a flat skipping rock on the water

Air is one of the foundations of lyricism

Some of my favorite examples of people performing with lyricism are Jacqueline Du Pre, Mstislav Rostropovich, Øystein Baadsvik, Patrick Sheridan, Bud Herseth, Tom Hooten, James Markey, and many others.

Extended Writings, No. 1: Being A Good Musician – From A Different Perspective

How To Be A Good Musician – Looking At It At A Different Level

Practice

Acting professional – people have to like you if you want work

Be early

Don’t miss notes

Play it right the first sight-reading, in every way, including playing musically and including playing every note, dynamic, and articulation on the page

Always listen to where the conductor is starting

Remember where you started so that when you have to start there again, you do

Always be ready and start WHEN the conductor starts

Get along with your ensemble

Have and demonstrate good time

Have a good ear for intonation

Have a good ear for hearing and being able to recreate(play) tones and melodies (and harmonies even)

Be able to improvise good-sounding things

Compose and arrange

Have a good ear for blend, balance, orchestration, timbre, etc.

Musical ensemble with everyone else – be able to play together (morph) WITH the other players WELL

Being able to lead (for instance if you’re playing first on a chorale)

Be able to conduct well

“Just pick up on what they’re doing musically and follow what they’re doing”

General: be able to read what other people are doing musically

Understanding the emotions of the other players while playing – by watching, listening, sensing what does or doesn’t radiate off of them

Clear communication between members of the group

Understanding each other as people: so you understand how to get along with each other: understanding how each person acts and feels in certain situations, understanding how I-T-T-T-FL-BL (Idea – Timing – Tact – Tone – Facial Language – Body Language: the idea you communicate, the time at which you express it, the language you use to express this idea, the tone you use to say these words, and your facial language and your body language) affects their emotions, understanding what kind of buttons not to push

Strictly brass quintet:

You want to be an impressive brass quintet? You’d better have the capacity to play LOUD, intense, and brassy EVERY TIME you see a Forte or Fortissimo (as appropriate).

You’d better have the ability to play with intensity described even at piano when appropriate (such as the Mouret Rondeau).

Any chamber music:

You’d better also have the ability to play as delicately and smoothly as a string quartet on legato piano things

You’d better have the ability to play as sensitively as a string quartet or voice on anything legato.

IMPORTANT: All 5 of you had better be feeling the music in your heart, body, and soul completely, and with that, you’d better also be connected in one, like you all have one heart and you are all feeling the exact same emotions at any given time, but at the same time, it’s like you’re creating this beautiful counterpoint of feelings and musical lines coming from each of your individual hearts whenever this is applicable.

Music: being able to communicate the ideas that you want to communicate

What I said about Musician X:
Concept: not so much of “knowing a piece”, but developing your musicianship to hear a piece and very quickly develop good musical ideas on it

Discussion of the phrase, listening for intonation, blend, time, phrasing, air, etc., wanting to shape the lines more, do more with the lines, shape the phrases more, play more musically

Higher level, what conductors like Barenboim, Giulini, and Dudamel do

Solo playing: you have something to say, and you SAY it.

Also exists when developing skills: skill which BRINGS about some insights you actually had not thought of before.

However it’s also (more often) you have a musical/sound idea in your head and what you want is to make that which is in your head (musical idea) a reality

Being a soloist: HAVE something to say: don’t hold back. Even if you’re not the greatest player (which you should be, don’t get me wrong), you HAVE something to say, you KNOW what you want to say, and you SAY it, without holding back.

Playing music: truthful “von haftiug”

(Play where the conductor asks you to start. Even if you think they mean a different place. (If they make a mistake, the ensemble will play in the wrong place, and the conductor will correct themselves. The conductor wants the ensemble to follow what they say. If they said the wrong place, that’s fine: at least the ensemble started where the conductor asked them to)).

(Concertos: follow the soloist more than the conductor)

Musical Resource Collection

Playlists

Great CC/BBb Tuba Sound and Artistry

A collection of free online recordings of world-class tuba players performing with great sound and great artistry on the CC or BBb tuba.

Great F/Eb Tuba Sound and Artistry

A collection of free online recordings of world-class tuba players performing with great sound and great artistry on the F or Eb tuba.

Great Bass Trombone Sound and Artistry

A collection of free online recordings of world-class bass trombone players playing with great sound and great artistry.

Great Tenor Trombone Sound and Artistry

A collection of free online recordings of world-class trombone players playing with great sound and great artistry on the tenor trombone.

Great Trumpet Sound and Artistry

A collection of free online recordings of world-class trumpet players playing with great sound and great artistry.

Great Bass Clarinet Sound and Artistry

A collection of free online recordings of world-class artists playing with great sound and artistry on the bass clarinet.

Soprano Saxophone Playlist (Classical)

Great soprano saxophone sound and artistry.

Great Bassoon Sound and Artistry

A collection of recordings of world-class bassoon players playing with beautiful tone and great artistry.

Masterclasses and Instructional Videos

Arnold Jacobs Almost Live

A series of masterclass excerpts given by one of the greatest brass pedagogues of all time, Arnold Jacobs.

Euphonium Masterclasses and Instructional Videos

A collection of masterclasses and instructional videos by some of the best euphonium players in the world.

Maria Callas, “The Lyric Tradition”

An extensive series of masterclasses presented in 1971 and 1972 at The Juilliard School by Maria Callas, one of the most renowned opera singers in history.

MUSAIC

This website gives you access to masterclasses, instructional videos, interviews, and musical excerpts by many of the greatest musicians in the world, from world-renowned soloists such as Yo-Yo Ma and Gil Shaham to musicians of top-level orchestras such as the San Francisco Symphony and the New York Philharmonic.

Trombone Masterclasses and Instructional Videos

A collection of masterclasses and instructional videos by some of the best trombone players in the world.

Trombonist Norman Bolter’s channel

This channel includes a large collection of high quality instructional videos, exploring many musical concepts that can help any musician, not just brass players. Norman Bolter is a former trombonist of the Boston Symphony Orchestra.

“Tuba & Euphonium Repair and Maintenance” Instructional Videos by Jeff Funderburk

These videos contain a great deal of information on cleaning, maintaining, and repairing tubas and euphoniums, focusing primarily on rotary valve tubas.

Tuba Masterclasses and Instructional Videos

A collection of masterclasses and instructional videos by some of the best tuba players in the world.

Articles

Orchestral Audition Advice, by Gene Pokorny (Principal Tubist of the Chicago Symphony Orchestra)

One of the most valuable orchestral audition prep articles out there.

Symphony Auditions: Preparation and Execution, by Douglas Yeo (former Bass Trombonist of the Boston Symphony Orchestra)

Another one of the most valuable orchestral audition prep writings available, and also one of the most comprehensive.

Notes from lessons with Bud Herseth

Acclaimed as one of the greatest orchestral trumpet players of all time, Adolph “Bud” Herseth was the Principal Trumpet player of the Chicago Symphony Orchestra for 53 years. Thanks to the generosity of Tim Kent, who took lessons with Herseth and took thorough, concise notes from these lessons, these notes are now available for all brass players to benefit from.

Other Websites

Craig Knox’s website

At Craig Knox’s website, you can find many helpful musical resources and other resources. Craig Knox is the Principal Tubist of the Pittsburgh Symphony Orchestra.

Douglas Yeo’s website

On Douglas Yeo’s website, you can find many valuable musical resources and other resources. Douglas Yeo is the former Bass Trombonist of the Boston Symphony Orchestra.

IMSLP

The “International Music Score Library Project” is the indispensable online database where you can find free, legal downloads of any sheet music which is public domain in your country. (Make sure to follow the public domain warnings on each file listing; if the listing says “Non-PD [Your Country]”, it is not legal to download the file, and the download should be avoided in order to avoid committing copyright infringement.)

Last Row Music

Here you can find the latest information about brass auditions for professional ensembles worldwide.

TromboneChat

The major trombone forum, which contains much information including classified sections where you can buy and sell instruments and equipment.

Trumpet Herald Marketplace

The premiere website for buying and selling used trumpets and equipment online.

TubeNet

The great tuba and euphonium forum in which you can find information on upcoming auditions, find equipment for sale, sell your equipment, and find many other great resources for tuba and euphonium players.

Windsong Press

This website contains a number of resources for brass players including CDs, books, breathing devices, and other valuable tools for brass players. This website also has a number of resources related to Arnold Jacobs and his teachings.

Interview Series

The interviews in the following series are not only interesting and entertaining, but many of these interviews also contain valuable advice on performing from some of the greatest musicians in the world.

“Bone2Pick” Interviews from HipBone Music

This is the channel of Michael Davis’ HipBone Music, which includes the acclaimed (and very valuable) interview series, Bone2Pick, bringing you interviews with many of the greatest musicians in the world.

“Brass Chats” from Monster Oil

The “Monster Oil” channel includes the informative and unique “Brass Chats” interview series with some of the best brass players in the world.

“ChopSaver” Interviews from Dan Gosling

This is Dan Gosling’s “ChopSaver” interview series with world renowned brass players.

“Sarah’s Horn Hangouts” from Sarah Willis

This is the channel of Sarah Willis and home of the world famous interview series, “Sarah’s Horn Hangouts”, in which Ms. Willis interviews renowned musicians from all over the world. Sarah Willis is a horn player with the Berlin Philharmonic Orchestra.

Blogs

Frequency Bone

This is the blog of trombonist Norman Bolter. This blog includes many valuable insights on music and brass playing, and also includes parallel posts to the instructional videos on Mr. Bolter’s YouTube channel (linked in the “Masterclasses and Instructional Videos” section below). Norman Bolter is a former trombonist of the Boston Symphony Orchestra and Empire Brass.

Roger Bobo’s blog

This is the archived blog of the late Roger Bobo, who was a master brass pedagogue and tuba virtuoso, who also played in orchestras around the world, including the Los Angeles Philharmonic as the principal tubist for twenty-five years. This blog contains a great deal of valuable insights on music and brass playing.

Resources for Purchase

Exercise Books

For all exercises, approach them as beautiful pieces of music, to which you bring your own expression and feeling. Approach these exercises as if they are beautiful pieces of music written for unaccompanied tuba.

The Brass Gym (Sam Pilafian and Patrick Sheridan)

The Brass Gym contains a great collection of exercises which can be used for your own daily fundamentals routine. If possible, use a metronome, a pitch drone, and an open ear with these exercises, for optimal training regarding pitch and rhythm. Published by Focus on Music.

Flow Studies (Vincent Cichowicz)

Valuable studies for sound and air flow, these are the original Cichowicz flow studies transcribed and edited for trombone, euphonium, and tuba by Michael Cichowicz and Mark Dulin, with the assistance of Rob Roy McGregor, Joseph Alessi, Jay Friedman, Steven Mead, Michael Mulcahy, and Nick Lane. For the tuba, the exercises in this book should be played one octave lower than written. Published by Studio 259 Productions.

Flow Studies for Tuba (David Vining) – CC Tuba Version. BBb Tuba Version.

Valuable studies for sound and air flow. Published by Mountain Peak Music.

Mastering the Tuba (Roger Bobo)

Written by the late Roger Bobo, renowned brass pedagogue and tuba virtuoso, this book contains valuable exercises as well as helpful writings regarding tuba playing. Note: this book is in treble clef in order that the exercises can be played on any key of tuba. The treble clef notations also allow additional transpositions to occur to practice exercises in different ranges. Published by Editions Bim.

Technical Studies (Herbert L. Clarke)

Herbert L. Clarke’s complete technical studies, revised and edited for tuba, euphonium, and trombone, by Dr. Jerry Young, inclusive of all ranges of the tuba. Published by Really Good Music.

Etude Books

Low Etudes for Tuba (Phil Snedecor)

These are beautiful musical etudes for the tuba which focus on low range playing, many of which also focus on lyrical playing. These etudes facilitate air flow, lyricism, and musicality in all ranges of the tuba, with a focus on low range. These are, in my opinion, some of the most valuable etudes available for tuba. Published by PAS Music.

Bordogni – Complete Vocalises for Tuba (Wesley Jacobs)

Bordogni’s bel canto studies, originally written for vocalists, have become famous in the low brass world for their value in cultivating good phrasing and lyricism among low brass musicians. This edition, transcribed by Wesley Jacobs, is a valuable resource for tuba players. Published by Encore Music Publishers.

Blazhevich – Studies for Tuba

The Blazhevich etudes are valuable for their musical content as well as their technical demands. These etudes have rightly become a staple in the tuba world. Published by Robert King Music. Volume 2 found here.

Kopprasch – Studies for Tuba

The Kopprasch studies demand high technical standards among tuba players, and have become a staple in the tuba etude repertoire. This edition, edited by Dr. Jerry Young, is published by Encore Music Publishers.

Books With Writings About Playing

Also Sprach Arnold Jacobs

This book contains a concise and extensive compilation of the teachings of Arnold Jacobs (transcribed directly from lessons taken with Mr. Jacobs). Arnold Jacobs was one of the greatest brass pedagogues the world has ever seen. This book is an extremely valuable resource for brass players. Published by Polymnia Press.

The Brass Player’s Cookbook

A compilation of articles written by many of the best brass musicians in the world, this book contains many wise insights which can be profoundly helpful to the musicianship and playing level of any brass player. Published by Meredith Music. (Note: this book is becoming harder to find. At the time of updating this post, I was able to find copies available and in stock at the following websites: Just For Brass, J.W. Pepper, and Amazon. I do not know what the future of the availability of this book will look like as more copies are bought.)

CD’s with Teachings

“Portrait of an Artist” – Arnold Jacobs

A collection of masterclass excerpts and performance recordings from one of the greatest brass pedagogues in history, Arnold Jacobs. Arnold Jacobs was also the Principal Tubist of the Chicago Symphony Orchestra for 44 years.

“Legacy of an Artist” – Arnold Jacobs

The second such collection released by Summit Records, this is a compilation of more masterclass excerpts and performance recordings from the great Arnold Jacobs.

DVD’s with Teachings

Tuba Profondo – An International Masterclass with Roger Bobo

This is a video recording of a masterclass presented by the late Roger Bobo. Roger Bobo was one of the greatest brass pedagogues of the late twentieth and twenty-first centuries.

Recommended Solo Albums

Tuba

20th Century Tuba Concertos (Øystein Baadsvik)
Lollipops (Patrick Sheridan)
Big Boy (Gene Pokorny)
Tuba Carnival (Øystein Baadsvik)
Orchestral Excerpts for Tuba (Gene Pokorny)
Many Others

Bass Trombone

Vital Signs (George Curran)
Fancy Free (Blair Bollinger)
Others

Tenor Trombone

Offroad (James Markey)
Towards The Light (Nitzan Haroz)
Stage Left (Tim Higgins)
Others

Horn

La Grand Fanfare (Alessio Allegrini)
Strauss: Horn Concerto No. 1 (Radek Baborak)
Strauss: Music for Horn and Piano (Stefan Dohr)
Mozart: Horn Concertos (Alessio Allegrini)
Mid-Century Sonatas for Horn and Piano (Richard Deane)
Others

Trumpet

Trumpet Call (Tom Hooten)
Others